Skul: The Hero Slayer  –  Review

Skul: The Hero Slayer – Review

Yay…another Roguelite. If your game isn’t procedurally generated, then you’re not with the programme.

It’s a tough deal these days, after Hades; the bar has been set high. So along comes Skul: The Hero Slayer, joining the group like a new pop-up artisan burger joint, offering Japanese corn-fed beef patties on a piece of slate, in a brioche bun and serving Argentine beer whilst they play full Bob Dylan albums… on vinyl.

Just like a few years ago when burgers became artisan…roguelites are everywhere at the minute and there is no sign of let-up. Don’t worry, I’m here to help you know which waygu and which way not to go.

One Large Retro Pixel Art 2D Roguelite, Please

Skul is a pixel art 2D platform roguelite. The graphics and the way the text scrolls one generated letter at a time is very much like an old Nintendo Entertainment System or SEGA game.

The whole look of the game is retro styled and has an early Zelda feel to it. The usual roguelite elements are here. You die lots and keep nothing with you except for small incremental trait improvements which are split into three options, magical attack, melee attack and critical damage chance.

Gradually a combination of mastering the attack styles of enemies and the compound difference of incremental trait advances starts to pay off; you can go further, do more and so the game scales.

The premise is that the heroes of the world have united to finally conquer the demon kingdom and have imprisoned the Demon King, defeating and capturing monsters and wraiths of the underworld in the process. All except you that is… You are Skul, the tiny little skeleton sent on a final desperate mission to expel the Heroes and rescue the Demon King. You do so by journeying through RNG rooms that you have some control over.

Before entering the next room, you are presented with a choice of two rooms from one that delivers a skull, one that delivers money or one that delivers a power-up item. You get this reward when you clear the room full of enemies, but the level of reward, common, rare, unique and legendary are randomised. There is also a blank room which is simply a random pick of any one of the above. This allows you to somewhat control what you get in reward at the end of each room on your run.

Throughout levels there are shop doors to pass through that offer the chance to spend money on a variety of RNG items in each of the categories and a free skull is often offered to you.

You also have the end of level doors marked in red where you fight mini-bosses in the shape of caped heroes or one of six end of section big bosses.

Back To The Grind?

So far everything is pretty standard stuff for a roguelite, it’s done very well, but nothing special. The trick (and difficult bit) of making a successful roguelite is to avoid the improvement seeming like too much of a grind. There is nothing worse than being thrown back to the beginning for the 80th time, hating the idea of having to do those rote early levels yet again. One of our developer podcast guests recently described a lightbulb moment for him.

It was understanding what the central appeal or mechanic of your game was and to not limit it, but give lots of it to the player. That, after all, is why they are playing it. So, a roguelite has to constantly offer you demonstrable character improvement to keep the player in that feeling of ‘this time know I can get further…one more go’.

How does Skul do at this? There are two things that let it down. Whilst the rooms are procedurally generated, the enemies within rooms are not RNG; they are the same ones in the same places, following the same movements each time and there is limited variety in rooms.

There could (and should) have been more on offer here to make replaying them seem like less of a pointless grind in getting to whichever level you are currently powered for. The other problem is that in the early stages of the game, progress is very slow and the difficulty is punishingly hard. You can easily die fifty or sixty times with little progress beyond the early sections and seemingly scant character trait improvement.

Rotate Your Skuls

These issues could cripple Skul, but they don’t, because what lifts Skul: The Hero Slayer out of what would have been a mediocre entry to the genre at best, is an amazing mechanic that is the core attraction of the game. The ability to swap your skull and pick up another with radically different merits and powers.

There are about thirty-five skulls you can be given but you can only use two at any one time so, there are choices to be made. Each skull will be focussed on either speed, physical attack, magic attack or a balanced one of all elements. Within that there are different tiered skulls that give your play a different level of deadliness in attack and variety.

There are common skulls: rare ones, unique ones and legendary ones. These can and do pair with increasingly power with items that you pick up that complement the characteristics of speed: power or balance more so than the other skulls. The right combinations can result in your character becoming a devastating whirlwind of retribution on the heroes invading your land.

Oh yes… and if the difficulty is too hard there is a rookie setting that halves incoming damage, which 20 % of players choose to switch on – ooufff clearly tough then.

At first it might feel that you are at the mercy of getting an early unique drop of a rare or legendary skull to have any hope of progress, but as your character increases trait power with each run the common skulls become very playable and both the common and rare skulls can be upgraded to become as powered as a legendary one.

This means that not only are there a vast range of playstyles open to you with these RNG skull drops, but as your character levels your ability to use almost any of them effectively also increases, making for an enormously different experience of play each time. Perfecting them and settling on a preferred playstyle is fun and you can very much single-mindedly focus on this from a restart, keep only physical skulls and always choose/buy the physical upgrades.

You can also crush all other found skulls into bones to use as a currency to upgrade your Skul. Make these decisions early on based on the first skull given and you can rapidly compete with a legendary skull, you need not wait on the RNG to gift you one. This is only really possible when you have enough compound trait progression though.

This bewildering choice of gameplay styles and power-up make the early rooms playable on a repeat basis because you are forced to learn several different playstyles, hitting from distance, melee, special moves that are directionally dependent and ones that aren’t, the list goes on, all dependent on the skulls dropped for you in the early rounds.

Games do not usually make you learn more than one or two play-styles, but here there are a vast array of combinations and these changes, if you upgrade; remember that you can only ever hold two skulls at a time. This semi-forced variety is a magical mechanic to the game that takes some learning, but is richly rewarding.

All of this combines to produce amazing combat that you can easily control and master to clear dozens of enemies from different directions with wonderfully satisfying and increasingly powerful attacks and combos. It is something that looks like chaotic luck, but isn’t. 

Skul: The Hero Slayer Review Summary

You will probably get about 40 hours out of Skul: The Hero Slayer and it is worth every penny of a relatively cheap price point. This isn’t a perfect roguelite, but it is a good one with a marvellous core mechanic that defines the game and lifts it beyond the small problems it has. Being the bad guy has never been so much fun.

Now go and pick up a Royale with cheese and get slaying some heroes.

Breathedge – Review

Breathedge – Review

From the makers of the Matrix… no news yet, but I am in possession of an immortal chicken.

No it’s not a euphemism for something rude, these things do go together. They are a glimpse of the kind of knowing humour on offer in Breathedge. It catches you off guard as you watch the opening cinematic of you being dragged towards an interrogation by some robots made from coffins….you’ll find out later.

Somebody Cut My Cable

A few days after I was given this to review someone cut my internet cable and I had to go somewhere else to download, update (trying not to forget my external drive) and shift everything onto my laptop just to get the game open to run. I was starting to feel like I was in ‘The Game’ and that this was some sort of meta pre-level of scavenging to prove I was worthy of playing Breathedge.

Having crafted together the ability to play the game I did not dare switch it off in case I couldn’t get back and my guy was lost in space to die.

…and I still have no idea why I am in possession of an immortal chicken.

Breathedge is a space survival sandbox game where you are constantly seeking out materials from the wreckage of the space ship you crashed in, to survive and improve your situation. It inevitably involves crafting essential equipment and tools to allow you to progress and in this sense it is rather linear and fairly standard, especially in the early levels. You are given a set of tasks to complete largely in a pre-designed order and you are prevented (by distance and no knowledge of location) from accessing other areas until crafting progression allows.

This is in ‘standard’ mode which is the story mode. Here there really isn’t much of the base building that you might expect in a sandbox crafter, rather you use discovered bases. Breathedge does offer a variety of play options which level story and freedom against permadeath, unlocked achievements and base building.

Downright Beautiful

Breathedge is, graphically, a downright beautiful game right from the get go. The premise is that you have survived an explosion of the largest spaceship in human history, which it transpires was a funerary ship (appropriate). You are on it delivering your fathers’ coffin when the explosion occurs and now you must survive.

Progress, like any sandbox crafter, is slow and contained at first, but opens up at a decent rate once you get past the first chapter. Your problems scale with progress as you move from simply surviving and getting home to uncovering and becoming embroiled in far bigger machinations as the game switches from a crafting exploration game to a more liner adventure game in its final few sections.

A common frustration of sandbox crafters is obtaining enough of the right resources. In Breathedge common sense developers have prevailed and resources divide into two categories.

Firstly the basics to survive, ice, various nutritional elements for crafting into food and various metal and chemicals for tools. These basics are in plentiful supply and often floating around freely…you won’t run out.

Secondly the other stuff, materials for crafting into bigger items (once you have discovered blueprints), plastic, copper wiring, rubber, paint, etc.

These things are found next to or attached to items of space debris. So there is some clarity about where to look for stuff you need and the in-game encyclopaedia offers visual clues on where to find them. This clarity means progression is always possible and never too far away.

About Time… Wasting

There are some gripes about unnecessary time wasting that falsely lengthens game time for no purpose and it is all over the place. Journey time is one particular complaint, it takes a long time to travel anywhere initially and repeatedly having to return to your base to refill oxygen on top of that is annoying. Planning and crafting to bridge what, early in the game, seems a vast distance and discover a new base takes a long time.

Once you get there and realise you need to return to transfer your phat stack of collected resources, over several journeys it is most definitely annoying. I mean having unlocked or completed an area, what is the point in making me travel 4 minutes back to my original base just to collect some resources

This is space and the future, (albeit a 1950s Soviet stylised one) so why, once I have securely moved on in the game or discovered more bases, can I not activate a fast travel system?

This needless wasting of time is present all over the place; you see it in the actual crafting, where every object created needs a 5 second wait for it to be built. If you are making several components that’s a wait of a couple of minutes for no reason at all.

Health & Beauty

Health is another example, it is restored by sleep, but you literally have to wait staring at a screen doing nothing but watch a spinning sand timer for a minute in order to recover your health. It serves no purpose except to waste time, at least until you get the medical box blueprint to craft instant healing.

It is for this reason that some major reviewers have been unkind to Breathedge, but I think they’ve got it wrong. You see any complaint about this artificial and imposed pointless game lengthening (which I think is a valid complaint) is dispelled shortly after completing chapter one.

Very quickly after this point you discover a second base and rapidly open up triple the length of time on oxygen, bigger spare tanks to carry and even discover a vacuum cleaner rocket bike and begin whizzing around at quadruple the speed like a sort of space Hagrid.

So, all of these complaints rapidly recede and the only annoyance that remains is the short wait time for crafting items, but that, by virtue of being the only one, becomes trifling as the game opens up into a vast multitude of tasks to complete and places to investigate; it isn’t as if I have to do a stupid three minute puzzle every time I want to buy items cheaper, (yes I mean you Bioshock) and if it doesn’t spoil that game I can assure you by chapter two crafting items won’t be bothering you here. Aside from that, developers are responsive to the community and a recent update has increased the oxygen and tool durability in the early stages to improve your experience.

Breathedge is a wonderous game of beauty, discovery and adventure. The college humour jars at times, but like the annoyances of the early stages this too dissipates and a more confident game emerges.

In Breathedge there is always something to keep you going and I have lost hours into the early morning on repeated nights playing this because I felt I was just about to crack a puzzle or felt I would just investigate that thing over there, just finish off this last part of the task and I will have made significant advancement. Every achievement in Breathedge feels significant and getting that feel and commitment from a player is a sign of a good game.

You’ll get about 30 plus hours out of Breathedge and the developers are planning two free expansions later this year. It isn’t a perfect game or consistent and in some ways that’s a good thing. So, if you can see past the jarring frustrations of the first chapter (somewhat now patched), you will be rewarded with a visually stunning adventure based largely on a solid crafting background. It’s worth your time and you will enjoy it.

I still don’t know why they give you an immortal chicken, but it’s good for shorting out flayed electrics on space debris. I wonder if that’s how my internet cable was cut…

Is it worth playing No Man’s Sky in 2022?

Is it worth playing No Man’s Sky in 2022?

No Man’s Sky has probably one of the most notorious launches for a new game of the last decade. Soaring on hype, the game failed to deliver on almost everything, leaving gamers crushed with buyer’s remorse.

Now, over four years after the initial release of the game (and several large, free updates), is it worth playing after all this time?

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Two planets nearly touching each other (Photo credit o0BaBaBoOeY0o on Reddit)

What’s the game like in 2022?

The core gameplay loop for No Man’s Sky is the same as many other survival/exploration-based games in the genre. You’re a person, in a world, and you harvest resources to build a base, upgrade your character to explore farther, and fight increasingly tougher enemies.

One of the biggest reasons why I could never truly get into Minecraft and its kin was exploration.

The different biomes were neat, but they didn’t make me inclined to stick around if I didn’t immediately find resources or points of interest. Especially for Minecraft’s sake, most of the game is spent underground anyway, making the change in biomes hardly noticeable.

With No Man’s Sky, you’re instead greeted with the same key resources on almost all planets. Some planets will not have these resources in abundance, which means you may have to stock up and come prepared for some planets.

These planets are completely procedurally generated, while they may still fall under similar biomes to other games, they end up being completely unique every time.

An exotic “Plated Planet” biome (Photo credit Lucifer926 on Reddit)

Between zooming from planet to planet, harvesting resources, and building bases across the galaxy, you’ve still got to explore space as well.

Space Stations serve as trading hubs between you and the local system’s economy, with different prices being offered depending on where you are. Here you’ll meet the three prominent races of the galaxy, learning their language to communicate, trading resources, unlocking new technology, and even buying better starships.

Environments That Leave You Breathless

Space – that is where the game truly shines in the graphics department.

Seeing these vibrant, colorful worlds in different systems and configurations often leaves you breathless. Systems with multiple stars, ringed planets like Saturn, even the sheer size and closeness of planets offer awe-inspiring views that can’t be replicated in other games.

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A Three-star system near a ringed planet (Photo credit JIARVIS on Reddit)

However, survival games such as these always fall into the same issue: Is the core gameplay loop enough to keep you entertained?

Just like Minecraft, the core of the game resides around harvesting resources, exploring new places, maybe building a base, and then going to another planet and repeating this cycle. No Man’s Sky offers some breaks to this via space travel, missions, managing your fleet of ships as you travel system to system.

And The Bad News?

The game doesn’t come without any faults, however.

No Man’s Sky has a fairly unimpressive story, which isn’t unlike other games in the same genre. Games like these offer little in the plot department, and instead opt for players to forge their own stories through their experiences while playing and exploring the game.

Gameplay gets repetitive as well, especially if you have bad luck and end up seeing similar planets in each system you jump to – which really ruins immersion when you’ve seen six Acidic planets in your last three jumps. This may be a personal beef though, as I don’t intend to land on every planet I see as other players may.

My final gripe with the game is the lack of difficult combat. The primary “enemy” of the game, Sentinels, are pretty dumb enemies. They offer little challenge after a certain point, and just attack in endless waves if you don’t actively run and hide from them to drop your “wanted level”.

All in all, the game has little to offer for downsides if you are already a veteran of the genre. There may be some struggles in Multiplayer that I’m not aware of, as I have only played solo so far.

Screenshot courtesy of u/Mokshake on reddit.

For me, I’ve never been more hooked in a game of this genre. I’ve already dumped over 70 hours into the game, including a 3 hour stream. The game continues to offer new free updates every few months, which keeps players like me anticipating what comes next.

Would I recommend the game? Absolutely.

Hades – A Breakout Title

Hades – A Breakout Title

Let’s be honest here. Hades is a fantastic game and there’s no reason to give it anything but a recommendation. Five Stars. 10/10. To claim otherwise that Supergiant’s entry into the rogue-lite genre isn’t a masterpiece would be a complete lie, and I’m an honest man.

Overview of Hades

It’s not difficult to describe Hades on the surface – It’s a 2.5D rogue-lite game that takes place in the beautiful world of the Greek Underworld. You play as Zagreus, the edgy and cool son of Hades who just wants to leave his hometown and explore the world, but Hades oddly refuses to let you leave Tartarus and communicate with your Olympian relatives.

“End? No, the journey doesn’t end here. Death is just another path. One that we all must take.” – J.R.R. Tolkien

Hades

So naturally, you run away. Dashing through the rooms of Tartarus, fighting monsters left and right as you make your ascent to Earth. You meet colorful characters from Greek mythology, like Sisyphus and his super cool eternal punishment despite him being super kind, or eternal sad boy Orpheus who just wants to vibe in the afterlife.

Not to mention the Olympian gods, who send you their blessings to help you advance through each run, each one with their own personalities and boons to offer unique builds for every run through the layers of Hell.

Unique Features

One of the most unique features that Hades offers is that it’s a rogue-lite with an actual story. And like, a good one too.

Most roguelikes have a story ranging from “mom locked me in a basement and is going to kill me, by the way here are the four horsemen of the apocalypse and my dead unborn brother” to [frustrated shouting at your monitor when you’re 12 minutes into Monsoon difficulty], with gameplay superseding the story-line of the game.

Which is totally fine, for those respective games. It’s not like I don’t have almost 150 hours in Risk of Rain 2, or half that in Binding of Issac.

Progress, Die, Repeat

The more you progress, and die, and repeat, the more the game opens up for you. New characters begin to wander the halls of Hades’ home, as well as new weapons with unique upgrade paths for each one. Each character has their own story and personality that unlocks the more you spend time to interact with them, or gift them items to strengthen that bond.

Supergiant isn’t new to the realms of excellent storytelling as well as engaging gameplay – with the hit games Bastion and Transistor under their belts, they are no strangers to fantastic storytelling. Paired with the unique genre of Roguelite games, the gameplay loop of progressing as far as you can before dying also allows the story to unfold at the pace of the player. Hades only offers one clear goal: Escape Hell, and you beat the game.

Of course, most players aren’t going to be able to pick up the game and complete it in their first attempt. Once they have shaken off their mortal coil, players see new characters and options in the world to unlock and play with, as the story unfolds with each incremental victory.

Summing Up Hades

Eventually, the game culminates in it’s “final ending” (Although I think there is a third ending after you escape a certain number of times), which is not only completely satisfying, even still adds further content to explore within the game.

Generally, I don’t play a game all the way to completion for a review. In this case, our Hades review was epic. I’ve logged close to 55 hours of the game, and I still pick it up for a few runs every couple days.

I don’t think there is any other way to sum up how I really feel about this game, and I wholeheartedly recommend it.

GRIS Review

GRIS Review

This GRIS review looks at the first game developed by Spanish team Nomada Studio; the result of a meeting at a party between some triple-A designers, and an artist who expressed a desire to make games. Devolver Digital are the publishers of GRIS, and looking at their back catalog, Nomada Studio are in good company.

Nomada Studio
GRIS Review – Available on Steam

Looking at the numbers, GRIS has sold well over a million units since being released in December 2018. In that time, it has consistently remained in the top 10 most popular indie games on Steam. These numbers would suggest the game is a bona fide hit. Or is it?

Years ago, I took the lady to a posh cinema for Valentine’s day. There, flunkies would whisper in your ear when delivering a glass of chilled wine and some Vol-au-vents as you reclined in an enormous chair. The only trouble with this was the completely inappropriate choice of Valentine movie on offer for this romantic date; it was either 12 Years a Slave or The Wolf of Wall Street; both of which being potential deal spoilers. Playing GRIS is a little like that date…

Gris Black and White

GRIS Overview

GRIS means grey in Spanish and whilst the game starts off all binary colors of black and white, the choices GRIS makes in being a game are anything but grey and ordinary. There is no death, no dialogue, no killing, no enemies to fight and color bleeds into the game gradually. At its heart GRIS is a platformer and a fairly simple one at that.

Playing the game feels like designers want you to experience something here – not be perplexed by it. To that end, puzzles are simple, levels are short, and the game can be completed in one sitting.

Gris "Overwhelmingly Positive"
Chasing XP - Gris - Steam Game Review

GRIS Art

The art in the game is genuinely wondrous; color oozes into the game gradually as you progress. It is a beautiful game to see in this respect. The movement of your character is fluid, graceful and interacts with the environment seamlessly.

The camera zooms in and out at various points to show you goals, destinations and moments when you have to tackle larger sections. The viewport zooms back in for tunneled sections and works so well that there is no disappointment in being delivered to either camera point.

Gris - Steam Game Review by Stephen Daughton

Controls

GRIS is played with a controller, or keyboard if you are on PC, but you will find there are no instructions. On the PC facing no help at the start I gave the WASD keys a shot and discovered I could move left and right. To begin with all you can do is walk in this 2D platformer, you cannot even jump.

Objective Of The Game

The object is to work your way out of the game by collecting orbs of light scattered around the world to build bridges in the sky and so gradually climb out of the game world and back to where you began. It does a good job of presenting a sufficient puzzle for you. It is a little too simple at times, but this helps GRIS to avoid the plague of many platformers – that of tiresome repetition attempting to complete that one jump sequence again…and again.

Should you play Gris?

You are gradually introduced to new movement skills: jumping, becoming a stone block, floating and singing.

As you move through the levels the ways these skills can be used varies and develops in different environments.

The designers never want you to have to look far or get stuck or bored and the way platforming gradually changes through the game keeps you well involved.

You will get about four hours of gameplay out of GRIS, but there is no real replay value in it. Once complete, the main menu opens levels to replay but you cannot do so with all of your acquired skills… you are reset for each level. A bit pointless there then.

Elsewhere you can access some artwork and it is so nice that you might well take a screenshot for your wallpaper (which I have done for the purpose of this GRIS review, incidentally). You also get access to the game music. Whilst it sounds like a bridge ripped from a terribly clichéd and achingly worthy Coldplay song and something I winced at to begin with, it does suit the subject matter of the game well.

Gris - Steam Game Review 2021

GRIS Review – Is It Worth Buying?

The problem with GRIS is the subject matter.

The game is about grief, depression or mental collapse, and your character metaphorically shatters, falls down into a dark pit and has to work through problems to rebuild herself. Although done well and evocatively, it may not be an especially happy prospect to indulge in.

I can admire the beauty and it was nice to have a gentle game so very different to what I might normally play, but we all come to games for a variety of reasons, to frighten ourselves, for the excitement of combat, for the speed of play, or the high of successful collaboration in today’s plethora of co-op games. What I doubt most of us pick up a game for, is to experience grief or mental breakdown…it just isn’t enjoyable in that sense.

For some it will probably hit like swinging brick and be their GOTY. For others, like me, it will be a good game albeit with some faults. Certainly though, there is enough great stuff going on here in a coherent, smooth and well-constructed gaming experience that will have gamers very much looking forward to what Nomada Studio do next.

Gris - Steam Game Review

Should you play it? Well the movies on offer didn’t spoil my Valentine’s date and the flaws of GRIS will not spoil the overall pleasure of the gameplay on offer here, you just probably won’t return to it. So yes, go ahead, it will be different to most things you play and that’s probably a good thing.